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维克特的父母为儿子安排了一场婚姻，未婚妻是没落贵族小姐维多利亚。维克特内向敏感，不善表达，于是婚礼前夜来到小树林中暗暗排练宣誓仪式。然而，意外发生了。当他把戒指套进地上一根树枝上面时，愕然发现树枝竟变成了一根腐烂了的手指！维克特惊魂未定，地动山摇间眼前竟然出现了一个僵尸新娘。而这个腐烂的手指，正是长在她的身上。 僵尸新娘情真意切的说自己就是维克特的合法妻子。维克特惊异万分，慢慢得知原来这个女子死于一个新婚之夜，她一直在这里等她丈夫的到来。 在小树林里维克特不但认识了这个女子，还看到这片死人世界一片欢乐和睦的气氛，他被眼前的情景深深感染，畏惧渐渐散去。然而，在两个世界，两个新娘之间，维克特该如何抉择。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。影片以一个孩子的视角呈现了一个处在危机之中的爱沙尼亚家庭的生活： 8岁的露西亚无忧无虑地生活在爱沙尼亚的一座小城。他的父亲卡多是个守墓人，勉强养家糊口，而她的母亲是个酒鬼，酗酒成性。一天，露西亚的父母收到一份邀请信，请他们去芬兰一周。露西亚的学校来了一名新老师，十分关心她的生活。新老师的到来和芬兰的旅程将以难以预料的方式改变每个人的生活。 卡特林· 劳尔执导的《守墓人的女儿》获得了爱沙尼亚电影奖， 影片所表现出的真实和流畅受到了众多影评人的认可。。